Aggressive/Dramatic Zuko that make me giggle.

pemberley-state-of-mind:

Because “quite well” is not “very well”.

Ed Sheeran - I See Fire (Lower Pitch)
253,653 plays

An altered version of I See Fire by Ed Sheeran

1. Linguistic Intelligence: the capacity to use language to express what’s on your mind and to understand other people. Any kind of writer, orator, speaker, lawyer, or other person for whom language is an important stock in trade has great linguistic intelligence.

2. Logical/Mathematical Intelligence: the capacity to understand the underlying principles of some kind of causal system, the way a scientist or a logician does; or to manipulate numbers, quantities, and operations, the way a mathematician does.

3. Musical Rhythmic Intelligence: the capacity to think in music; to be able to hear patterns, recognize them, and perhaps manipulate them. People who have strong musical intelligence don’t just remember music easily, they can’t get it out of their minds, it’s so omnipresent.

4. Bodily/Kinesthetic Intelligence: the capacity to use your whole body or parts of your body (your hands, your fingers, your arms) to solve a problem, make something, or put on some kind of production. The most evident examples are people in athletics or the performing arts, particularly dancing or acting.

5. Spatial Intelligence: the ability to represent the spatial world internally in your mind — the way a sailor or airplane pilot navigates the large spatial world, or the way a chess player or sculptor represents a more circumscribed spatial world. Spatial intelligence can be used in the arts or in the sciences.

6. Naturalist Intelligence: the ability to discriminate among living things (plants, animals) and sensitivity to other features of the natural world (clouds, rock configurations). This ability was clearly of value in our evolutionary past as hunters, gatherers, and farmers; it continues to be central in such roles as botanist or chef.

7. Intrapersonal Intelligence: having an understanding of yourself; knowing who you are, what you can do, what you want to do, how you react to things, which things to avoid, and which things to gravitate toward. We are drawn to people who have a good understanding of themselves. They tend to know what they can and can’t do, and to know where to go if they need help.

8. Interpersonal Intelligence: the ability to understand other people. It’s an ability we all need, but is especially important for teachers, clinicians, salespersons, or politicians — anybody who deals with other people.

9. Existential Intelligence: the ability and proclivity to pose (and ponder) questions about life, death, and ultimate realities.

Howard Gardner’s seminal Theory of Multiple Intelligences, originally published in 1983, which revolutionized psychology and education by offering a more dimensional conception of intelligence than the narrow measures traditional standardized tests had long applied. (via divinespirit)

Being intelligent is not just about being ‘smart’ and good at academic subjects.

(via iamnotover)

majordomoplasticomo:

if i’m not wearing this as a i command a post-apocalyptic freedom fighting group, then i will be greatly disappointed

majordomoplasticomo:

if i’m not wearing this as a i command a post-apocalyptic freedom fighting group, then i will be greatly disappointed

Princeton University psychologist Susan Fiske took brain scans of heterosexual men while they looked at sexualised images of women wearing bikinis. She found that the part of their brains that became activated was pre-motor - areas that usually light up when people anticipate using tools. The men were reacting to the images as if the women were objects they were going to act on. Particularly shocking was the discovery that the participants who scored highest on tests of hostile sexism were those most likely to deactivate the part of the brain that considers other people’s intentions (the medial prefrontal cortex) while looking at the pictures. These men were responding to images of the women as if they were non-human.

elenei:

someone write me this fic

galadriels:

“I mean Gimli, Gloin’s son here.”
  Gimli bowed low, and the axe slipped from his belt and clattered on the ground.
   ”Hoom, hm! Ah now,” said Treebeard, looking dark-eyed at him. “A dwarf and an axe-bearer! Hoom! I have good will to Elves, but you ask much. This is a strange friendship!”
   “Strange it may seem,” said Legolas; “but while Gimli lives I shall not come to Fangorn alone.
” 

PARTS OF THE BOOK THAT WEREN’T IN THE MOVIE

galadriels:

"Your duty is with your people,’ he answered.
"Too often have I heard of duty," she cried. "But am I not of the house of Eorl, a shield-maiden and not a dry-nurse? I have waited on faltering feet long enough. Since they falter no longer, it seems, may I not now spend my life as I will?"
"Few may do that with honour," he answered. "But as for you, lady: did you not accept the charge to govern the people until their lord’s return. If you had not been chosen, then some marshal or captain would have been set in the same place, and he could not ride away from his charge, were he weary of it or no."
"Shall I always be chosen," she said bitterly. "Shall I always be left behind when the Riders depart, to mind the house while they win renown, and find food and beds when they return?”

PARTS OF THE BOOK THAT WEREN’T IN THE MOVIE

annelfpond:

Buffy Anne Summers
She saved the world a lot
</3

Q: If you could choose between being a human, living once, and a vampire living through many generations and seeing many things, which would you choose and why?

A: Human, definitely.

creepylittlekiwi:

apriki:

MARAUDERS, NO QUESTIONS ASKED. But since you did ask, let’s jump on that….
MARAUDERS: THE SERIES
 Okay so - five seasons, BBC produced OR HBO in Game of Thrones style, keeping it British (JKR would insist, as she should). 12-14 episodes a season, potential Christmas special at the end of season 4. The first three seasons are MWPP’s fifth, sixth and seventh years, starting about midway through their 5th. 
The pilot uses Harry as a framing device - it’s needed to establish the world and time period etc etc - maybe in third year, when Snape is digging in to Papa Potter? Harry then walks along the Hogwarts corridors, thinking about his father, and everything Dumbledore and Lupin have said about him, until he finds himself in the trophy room looking at one of James’ Quidditch medals. Harry says “my dad didn’t strut”, and we close in on the medal…
….only to pan out on James, strutting along the same corridor. Remus, Sirius and Peter fall in, and we watch them as they head in to class. James is your typical asshole of a 15yo, eating an apple and accidentally bumping into people, only to grin and give them fingerguns instead of apologising as he keeps on walking. Remus has his nose in a book, Sirius is poking at his ear with a quill, and Peter’s trying get Sugar Quill residue off his fingers. They walk into Transfiguration, their usual boisterous selves, not noticing a red headed girl rolling her eyes and turning away from them to talk to her friends, or a skulking boy in a group of Slytherins behind her, glaring at them.
AND SO WE BEGIN.
Each of the first four seasons would use one of the Marauders as a viewpoint into the main plot:
Season 1 - Peter, as he feels like he belongs less than the others, and his practical hero-worshipping of his friends means that he views them outside of his relationship with them, and is thus a good starting point for the viewer. Season one also introduces us to the Marauders era Slytherins, and we follow their story in a parallel to MWPP. Lily and Snape’s friendship, their subsequent fall out, and Snape’s further immersion into the Dark Arts are the season’s main subplot. Snape’s Worst Memory happens in about episode 9.
Season 2 - Remus. Season 2 covers MWPP’s sixth year, as they grow older and the war outside of Hogwarts begins to impact more on their isolated world. Lily and James begin to become friends - well, she dislikes him less - and this impacts on Snape, who begins to write in the margins of his potions textbook. Sirius starts to feel more pressure from his family and moves out; this makes him wilder than ever, culminating in the Snape prank (about episode 11). This is filmed to be a cruel trick, and we see the full blow out afterwards between Sirius and Remus. Snape approaches Lily in the aftermath and attempts to tell her about Remus, villifying James in the process; she tells him that she knows about Remus, and that Snape cannot reveal the secret. The season ends with Remus and Sirius still at odds, although partially reconciled, and James saying he just assumed that Sirius would be moving in with him.
Season 3 - This year focuses more on James, beginning when he and Sirius decide to crash a pureblood party at the Malfoy’s. They make their getaway, running past three girls, on Sirius’ new bike, which still has some…. kinks to be smoothed out - they almost fall out of the sky more than once. They return home to the news that James has been made Head Boy; Sirius thinks it’s the most hilarious news he’s ever heard, but James is determined to use the opportunity to get closer to Lily (“I am TELLING you she’s Head Girl, Padfoot!”) The gang head back to Hogwarts - crossing paths with Narcissa Black - who had seen them run out at the Malfoy’s - on the train station. She becomes our focus Slytherin character for the season. Lily and James’ romance takes a front position in this season, with the mending of the Sirius/Remus relationship as a subplot. The season also has flashbacks to the group’s younger years, focusing on the Animagus process.
Season 4: TIME JUMP. We go forward two years into the middle of the war. I see the final two seasons as one whole arc, with the season 4 establishing the various dangers of the war and MWPP’s role in it - focusing on Sirius, as suspicion starts to take hold of the group and their lives get more and more perilous. Through Sirius we get the Regulus subplot and our view into the Death Eaters, following Snape, the Blacks and the Malfoys. Two of Lily and James’ “thrice defied” events happen throughout the season. Remus is sent undercover into the werewolf community and drifts apart from the Order, causing the others to confide in him less and less. Peter sees this and, in the season finale, meets up with a Death Eater.
Season 5: We begin with the announcement of Lily’s pregnancy. The fighting gets worse - there are battles and disappearances every day, both sides begin to lose friends and mentors. Narcissa’s pregnancy is played out as a parallel to Lily; she and Lucius grow closer and begin to resent the influence of Voldemort on their lives. They strengthen as a family unit and at the end of the season decide to break away from their Death Eater friends (and family). The prophecy is told, Harry is born, Lily and James go into hiding. Sirius continues to fight in the war, becoming friends with the Prewett brothers and eventually witnessing their deaths, Snape becomes worried for Lily, makes the deal with Dumbledore, and begins sabotaging Death Eater missions he thinks may harm her, Karkaroff flees England, the Longbottoms announce that they’re expecting, Peter begins passing information on to Voldemort himself, Remus is thrown out of a werewolf meetup when they discover he’s a spy. 
The season finale is two hours long. It begins with Harry’s first birthday - Bathilda Bagshot is present, and speaks of Grindlewald. The scene changes, and Sirius is sitting with Kingsley and a few other Order members - they’ve just heard the news of the McKinnons. Moody comes in with blood everywhere; he’s lost an eye. Sirius can’t stand to look at the blood and begins to walk out - then catches sight of Remus in the hall. He confronts Remus, asking where he’s been - Remus can’t say, under Dumbledore’s orders. They end up in a fist fight, beating each other senseless until they’re separated. They don’t speak again for fourteen years. It’s a cold day, and windy - Lily goes outide and pulls the clothes off the line before they can blow away. She and James decorate their cottage with jack o’ lanterns and streamers, and dress Harry up as a little Merlin in a purple gown. They eat Halloween dinner together, the three of them, and James jokes about how “it’s nothing on a Hogwarts feast - just you wait and see, Harry!” Lily goes to put Harry to bed - we watch as she changed him into his pyjamas, lays him in the crib and sings to him - until she’s cut off mid song by a blast downstairs. She’s at the door when she hears James scream, and then there’s a green flash of light, bright and cold, and she runs back to the crib, too choked with fear to even cry for her dead husband. A hooded man steps in the doorway, blocking out all the light. The screen is still black when we hear the revving of a motorcycle as it touches down on the ground. Sirius stands in front of the ruined house, and there are no words for the look on his face. He makes a sound - more animal than human - and before even knowing why, he starts forward, searching among the rubble. He hears a sound, and digs underneath the debris, forgetting his wand entirely, until he finds Harry, crying, the scar still bleeding. Sirius doesn’t know how long he stands there, holding the baby, until suddenly Hagrid is behind him, saying something about Dumbledore, and argues for a while but hands Harry over anyway, saying Hagrid can take the bike. It’s only then that Sirius thinks of Peter. Hagrid says something else, but Sirius doesn’t hear him, doesn’t hear anything - he Apparates, and he’s not even landed before he’s running, up and into Peter’s apartment, banging through the door and making things explode like he did when he was young and couldn’t control his magic. We follow Sirius through the confrontation with Peter and his arrest. Sirius is dragged away, laughing and crying manicallay, cut in a montage to parties and celebrations, random wizards and the Order, a thousand people cheering and smiling and all whispering “For him! The Boy who Lived! Harry Potter!” And, finally, a baby and a letter, lying side by side in front of a Surrey door.

I’M TEARING UP I NEED THIS SO BADLY I’M GOING TO CHANGE ALL MY CAREER DECISIONS, INFILTRATE THE BBC AND MAKE THIS HAPPEN YOU SEE IF I DON’T.

creepylittlekiwi:

apriki:

MARAUDERS, NO QUESTIONS ASKED. But since you did ask, let’s jump on that….

MARAUDERS: THE SERIES

Okay so - five seasons, BBC produced OR HBO in Game of Thrones style, keeping it British (JKR would insist, as she should). 12-14 episodes a season, potential Christmas special at the end of season 4. The first three seasons are MWPP’s fifth, sixth and seventh years, starting about midway through their 5th. 

The pilot uses Harry as a framing device - it’s needed to establish the world and time period etc etc - maybe in third year, when Snape is digging in to Papa Potter? Harry then walks along the Hogwarts corridors, thinking about his father, and everything Dumbledore and Lupin have said about him, until he finds himself in the trophy room looking at one of James’ Quidditch medals. Harry says “my dad didn’t strut”, and we close in on the medal…

….only to pan out on James, strutting along the same corridor. Remus, Sirius and Peter fall in, and we watch them as they head in to class. James is your typical asshole of a 15yo, eating an apple and accidentally bumping into people, only to grin and give them fingerguns instead of apologising as he keeps on walking. Remus has his nose in a book, Sirius is poking at his ear with a quill, and Peter’s trying get Sugar Quill residue off his fingers. They walk into Transfiguration, their usual boisterous selves, not noticing a red headed girl rolling her eyes and turning away from them to talk to her friends, or a skulking boy in a group of Slytherins behind her, glaring at them.

AND SO WE BEGIN.

Each of the first four seasons would use one of the Marauders as a viewpoint into the main plot:

  • Season 1 - Peter, as he feels like he belongs less than the others, and his practical hero-worshipping of his friends means that he views them outside of his relationship with them, and is thus a good starting point for the viewer. Season one also introduces us to the Marauders era Slytherins, and we follow their story in a parallel to MWPP. Lily and Snape’s friendship, their subsequent fall out, and Snape’s further immersion into the Dark Arts are the season’s main subplot. Snape’s Worst Memory happens in about episode 9.
  • Season 2 - Remus. Season 2 covers MWPP’s sixth year, as they grow older and the war outside of Hogwarts begins to impact more on their isolated world. Lily and James begin to become friends - well, she dislikes him less - and this impacts on Snape, who begins to write in the margins of his potions textbook. Sirius starts to feel more pressure from his family and moves out; this makes him wilder than ever, culminating in the Snape prank (about episode 11). This is filmed to be a cruel trick, and we see the full blow out afterwards between Sirius and Remus. Snape approaches Lily in the aftermath and attempts to tell her about Remus, villifying James in the process; she tells him that she knows about Remus, and that Snape cannot reveal the secret. The season ends with Remus and Sirius still at odds, although partially reconciled, and James saying he just assumed that Sirius would be moving in with him.
  • Season 3 - This year focuses more on James, beginning when he and Sirius decide to crash a pureblood party at the Malfoy’s. They make their getaway, running past three girls, on Sirius’ new bike, which still has some…. kinks to be smoothed out - they almost fall out of the sky more than once. They return home to the news that James has been made Head Boy; Sirius thinks it’s the most hilarious news he’s ever heard, but James is determined to use the opportunity to get closer to Lily (“I am TELLING you she’s Head Girl, Padfoot!”) The gang head back to Hogwarts - crossing paths with Narcissa Black - who had seen them run out at the Malfoy’s - on the train station. She becomes our focus Slytherin character for the season. Lily and James’ romance takes a front position in this season, with the mending of the Sirius/Remus relationship as a subplot. The season also has flashbacks to the group’s younger years, focusing on the Animagus process.
  • Season 4: TIME JUMP. We go forward two years into the middle of the war. I see the final two seasons as one whole arc, with the season 4 establishing the various dangers of the war and MWPP’s role in it - focusing on Sirius, as suspicion starts to take hold of the group and their lives get more and more perilous. Through Sirius we get the Regulus subplot and our view into the Death Eaters, following Snape, the Blacks and the Malfoys. Two of Lily and James’ “thrice defied” events happen throughout the season. Remus is sent undercover into the werewolf community and drifts apart from the Order, causing the others to confide in him less and less. Peter sees this and, in the season finale, meets up with a Death Eater.
  • Season 5: We begin with the announcement of Lily’s pregnancy. The fighting gets worse - there are battles and disappearances every day, both sides begin to lose friends and mentors. Narcissa’s pregnancy is played out as a parallel to Lily; she and Lucius grow closer and begin to resent the influence of Voldemort on their lives. They strengthen as a family unit and at the end of the season decide to break away from their Death Eater friends (and family). The prophecy is told, Harry is born, Lily and James go into hiding. Sirius continues to fight in the war, becoming friends with the Prewett brothers and eventually witnessing their deaths, Snape becomes worried for Lily, makes the deal with Dumbledore, and begins sabotaging Death Eater missions he thinks may harm her, Karkaroff flees England, the Longbottoms announce that they’re expecting, Peter begins passing information on to Voldemort himself, Remus is thrown out of a werewolf meetup when they discover he’s a spy. 
  • The season finale is two hours long. It begins with Harry’s first birthday - Bathilda Bagshot is present, and speaks of Grindlewald. The scene changes, and Sirius is sitting with Kingsley and a few other Order members - they’ve just heard the news of the McKinnons. Moody comes in with blood everywhere; he’s lost an eye. Sirius can’t stand to look at the blood and begins to walk out - then catches sight of Remus in the hall. He confronts Remus, asking where he’s been - Remus can’t say, under Dumbledore’s orders. They end up in a fist fight, beating each other senseless until they’re separated. They don’t speak again for fourteen years. It’s a cold day, and windy - Lily goes outide and pulls the clothes off the line before they can blow away. She and James decorate their cottage with jack o’ lanterns and streamers, and dress Harry up as a little Merlin in a purple gown. They eat Halloween dinner together, the three of them, and James jokes about how “it’s nothing on a Hogwarts feast - just you wait and see, Harry!” Lily goes to put Harry to bed - we watch as she changed him into his pyjamas, lays him in the crib and sings to him - until she’s cut off mid song by a blast downstairs. She’s at the door when she hears James scream, and then there’s a green flash of light, bright and cold, and she runs back to the crib, too choked with fear to even cry for her dead husband. A hooded man steps in the doorway, blocking out all the light. The screen is still black when we hear the revving of a motorcycle as it touches down on the ground. Sirius stands in front of the ruined house, and there are no words for the look on his face. He makes a sound - more animal than human - and before even knowing why, he starts forward, searching among the rubble. He hears a sound, and digs underneath the debris, forgetting his wand entirely, until he finds Harry, crying, the scar still bleeding. Sirius doesn’t know how long he stands there, holding the baby, until suddenly Hagrid is behind him, saying something about Dumbledore, and argues for a while but hands Harry over anyway, saying Hagrid can take the bike. It’s only then that Sirius thinks of Peter. Hagrid says something else, but Sirius doesn’t hear him, doesn’t hear anything - he Apparates, and he’s not even landed before he’s running, up and into Peter’s apartment, banging through the door and making things explode like he did when he was young and couldn’t control his magic. We follow Sirius through the confrontation with Peter and his arrest. Sirius is dragged away, laughing and crying manicallay, cut in a montage to parties and celebrations, random wizards and the Order, a thousand people cheering and smiling and all whispering “For him! The Boy who Lived! Harry Potter!” And, finally, a baby and a letter, lying side by side in front of a Surrey door.

I’M TEARING UP I NEED THIS SO BADLY I’M GOING TO CHANGE ALL MY CAREER DECISIONS, INFILTRATE THE BBC AND MAKE THIS HAPPEN YOU SEE IF I DON’T.